Month One
- Learn the Roman numeral system (I, ii, iii, IV, V, vi, vii°).
- Analyze how each degree resolves or creates tension.
- Play melodies emphasizing different degrees over chord progressions.
- **Superimposition Exercise**: Play the major scale over different chords and listen to how each note functions differently.
- Compare natural, harmonic, and melodic minor.
- Understand why the V chord is often major in minor keys (harmonic minor).
- Experiment with secondary dominants in minor (e.g., V7 of iv).
- **Superimposition Exercise**: Play the minor scale over its tonic major chord and see which notes feel consonant/dissonant.
- Learn modes in two ways:
1. *Derivative* – Seeing them as variations of the major scale.
- 2. *Parallel* – Comparing them all starting from the same root (C Ionian vs. C Dorian vs. C Phrygian, etc.).:
- Play the same melody in different modes to hear the shifts in color.
- Recognize Ionian as the baseline mode (bright, resolved).
- Lydian’s #4 gives a floating, unresolved feel (e.g., "Simpsons Theme").
- **Exercise**: Play a I-IV-V-I progression in Ionian vs. Lydian and hear the difference.
- Improvisation: Create melodies emphasizing the #4 in Lydian.